This collection joins biology, abstract art, and social context to explore what “animal” means to us. Atmospheric paintings represent feelings that surround animals, while sculptural pieces symbolize the animals themselves.

The process focused on hand-forming and fingerpainting, drawing inspiration from abstract expressionism, as well as the work of Louise Bourgeois and Louise Nevelson. Bourgeois’ drawings often used looping, scribbling forms in ways reminiscent of something animalistic. Nevelson unified objects, painting them all one color to abstract their original nature.

A black mixed-media creature sculpture made of metal and scrap materials sits on a pedestal. A small abstract creature made of copper wire, one of six. A small abstract creature made of copper wire, two of six. A small abstract creature made of copper wire, three of six. A small abstract creature made of copper wire, four of six. A small abstract creature made of copper wire, five of six. A small abstract creature made of copper wire, six of six. A black and gray painting with bright yellow spots. A lavender painting with violet spots and white spray. A brown, pink, and white painting with crimson splatter. A streaky dark green painting with dark red and gray spots. A pink painting streaked with yellow, orange, and purple. A blue and purple painting with seafoam green patches and silver spray. A bright yellow and blue painting with dark maroon spots. A soft brown painting with scratchy horizontal stripes of dark brown and white.